Friday, September 21
Rain and Republicans brought the rally to a fractured close, and Ben and Ester and I went off to do practical things. Ben disappeared before I found out that we can't have hello and okay in the fragrance garden, which, incidentally, really sucks. I don't know where to have it now. Wharton Courtyard, Worth Courtyard, Kohlberg Courtyard, Magill Walk, all have their sticking points. Ester and I visited Jenny Yim and her pooch, and I was asked to DJ a fundraiser for a triple-degree-burned quadrepeligic (to make a long story longer), and then I invented a turkey wrap at Essie Maes, garnished with Asian-salad dressing. I came back here (oh, I'm writing from the Barn! We have DSL at the Barn! I can send e-mail and surf the intranet from the Barn!) and talked to Joel for a while and talked to Ester for a while and played rock and roll music with Rubes and Blechs. Matt is so excited about this! So am I, don't get me wrong. He has a new guitar song that completely rocks, on which I want to play a distorted flute. We also worked on a fragment from last week that grew from arpegiatted picking to vibraphone third patterns to funk bass to bliss, and a little on our eponymous groove, from "this is your captain speaking." This is going to be damn good. It's the next step.
After a while I went to a poetry slam at Paces. Talking to Stephanie later, who calls herself "an elitist; I never go to slams, only to readings," I realized that I am an elitist; I never go to poetry readings. Last time I went to a slam I ended up with a girlfriend, but I didn't quite succumb to the temptation to read. This time I read, abetted by a "Japanese poetry slam" format wherein we were given two lines from which to create six-line poems. I only wrote with one of the lines: "I refuse to tell you," and I changed its tense and wrote only four lines. People came up with some good stuff, including a lovely bit by Jedd about watermelons, and Ben's "I refuse to tell you that a sin dancing with a shrew is ant/agonistic. My affliction: heterosexuality." Mine was as follows:
I neglected to preface it with "What sense it has is informed by the rhyme" or "It's about O'Neill" or "I've never actually seen it" or anything except "I wrote the other one," and despite an effort to articulate it came out rather quickly, and consequently it didn't get quite the response I had hoped, although a bunch of people laughed. I think most people didn't understand it. Many people read interesting things (Allen Friedman's Spam e-mail poem, Alex Edelson's trio of articulate pieces touching on vampirism and love) and many people read things about the unfortunateness. The culmination was a "performance art piece" by freshman lunatic Johnathon Schneider. Untitled "A Message from our Sponsors," it was an advertisement for a gas powered toothbrushed which ended up with him on the floor in spasms.I refused to tell you what I thought when
we saw "A Moon for the Misbegotten."
You asked my opinion on the plot and
characterization. I'd forgetten.
Rather than going home I went visiting. First Annie, who was writing about Van Der Weyden, and told me that her roommate had videos of the robot from the Apples concert. Then Lodge One, where I hung out for an hour or so as we discussed, chiefly, clothing and nudity. Those gals are so endearing. They do the lodge thing well. As I was leaving I ran into Matt and his companion Elena Cuffari, and so I went with them to Rob's room. We listened to B&S and had a nice chat, Rubin looking spiffy in my corduroy jacket. I hadn't really met Elena before this; I like her. She's what you would expect of Matt, in a funny way. She wants to be a ling major (she's in my syntax class. So is Jeff Wu, as it turns out.) Back here Alana was visiting, but because Joel was writing about 1001 Crucifixions, she was talking to the others of us (although she was wearing his shirt.) She and I agree a lot about love. Kollontai and all that.