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"Kiss Me Harder" by Bertine Zetlitz
"Hot" by Avril
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Number 9 Dream by David Mitchell
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A Heartbreaking Work of Staggering Genius by David Eggers
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Mad Tony and Me by Carl Hoffman
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This Must Be The Place: Adventures of Talking Heads in the 20th Century by David Bowman
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Damo Suzuki/Stinking Lizaveta @ Mill Creek
Death and the Maiden @ Curio
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Martha Graham Cracker and Eliot Levin and Kilo etc. @ the Fringe Cabaret
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Romeo + Juliet in Clark Park
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Ponytail at Pony Pants' House
Mirah/Benjy Ferree @ the 1UC
Tortoise @ World Cafe Live
Hall & Oates...ish
"Nuclear Dreams" - Mascher Dance Group, x2
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In Fluxxxx
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the Fantasticks @ Mum
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John Vanderslice @ Johnny Brendas
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Into the Woods @ LPAC
The Fishbowl @ the Frear
Caroline, or, Change @ the Arden
Low & Loney, Dear. @ 1UC




Monday, April 2

let your boyfriend come from the right kind of schools

amelia, listen.

the hold steady did indeed play olde club. i watched from the balcony, with rob and heidi and my sister and k-cham. it was fun. craig finn seems to have mellowed out a bit since i saw them two years ago when separation sunday came out - his dancing is less spastic, and he's got a beard now, so he comes off more like a dad and less of a total geek. but his band still rocks, no question.

look, here's a movie of them playing "you can make him like you":



(for those unfamiliar, the line immediately preceding the part in the video is "you don't have to deal with the dealers, let your boyfriend deal with the ..." this is possibly my favorite song from the new album. my least favorite song is "southtown girls," except for the part where he says "take nicolette out to the vietnamese," because it makes me think of going to get vietnamese food with my friend nicolette.)

as you can see, the crowd was pretty much going crazy. i think it was the wildest, rowdiest crowd i've ever seen at olde club - and the band commented at one point that they'd never seen such a crazy audience at a college show. (unfortunately?) i'm pretty sure that the primary bunch of rowdies, the group of 8 or so people convulsing in the front row, were not actually swatties. they certainly had a lot of energy, and a possibly unhealthy amount of holdsteady love. they were passing around a handle of bourbon. i'm not sure, but i think they might have brought the confetti that ended up scattered all over the place (just like on the album cover!) they were a lot of fun to watch, but it might have been somewhat dangerous to be downstairs in the crowd adjacent to then.

so it was a good decision to be in the balcony. except that one of my earplugs somehow fell out of my ear and over the railing - after diligent searching at the end of the set, we were able to recover the custom-fit rubber part (thanks to heidi), but we couldn't find the tiny filter among all the confetti. anyway, it was a fun show, even if they didn't play "certain songs."

so what's new with you, anyway? how long are you going to be out in california? should i come visit you there? (maybe i can get that friend of ours to come too.)

hey, did i ever tell you that the flour we use at my work (metropolitan bakery) comes from grand forks? (the kind i use for my danishes and croissants is "north dakota champion.") i thought that was kind of funny.

so i gather you're into the hold steady. do you feel like they sold out by moving to brooklyn even though they still front like they're repping the midwest in their lyrics? do you wish you had been more into indie rock when you were at swat and all those indie rock bands played at olde club? who else are you listening to these days?

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Comments:
i can't believe you don't like southtown girls! but maybe you'd have to go to southtown (in bloomington, just off 494) to really get it...

anyway, as evidenced by that last comment i am indeed completely into the hold steady in a horrifying "whoa, back the fandom truck up" kind of way, and i wish them well re: their move to the cool side of the continent. after all, they were not from the actual twin cities. as far as i know, they were from edina ("go hornets!"). insofar as the twin cities has a cool side, that is not it. i love that they're still writing about minnesota. (i especially loved that they sold twins t-shirts at concerts during the AL playoffs last year.)

is the flour north dakota mill? 'cause they are state-owned, which i think is cool. yay for vestiges of populist socialism!

last question most important -- what am i listening to? to tell the truth, i'm listening to a hell of a lot of john prine and sweet honey in the rock and decemberists. it's musical comfort food, since (a) my usual indie music source up and went to kenya for fieldwork and (b) learning new skills is stressful!

...but i always did wish that i'd been...more olde club, less jamboree, shall we say, at swat.
 
r: i want to know if the title of your post is ironic or not, according both to the hold steady and you.

a: olde club and jambo are two sides of the same coin. that said, it would have been fun to have you around. y'know, people are saying very nice things about you these days.
 
maybe i just dislike "southtown girls" because it's the last song and it means the album's going to end...! actually, i didn't say i didn't like it...

yes north dakota mill.

tfb: according to ths, that directive seems to be part of a mentality (as expressed in the song) which i don't believe they're endorsing in earnest, though nothing in the song directly points to that belief. i'm not sure it's safe to call it ironic - their lyrics in general tend to strike a cautiously observational tone, though not without fondness, when describing this sort of "classic american" wild and crazy youth lifestyle.

according to me, i don't mean to specifically suggest that amelia, or anybody else, let their boyfriend come from the right kind of schools (let alone not go there themselves.) does that mean it's ironic? would it be non-ironic if i instead meant to imply - "[i came from those schools;] let me be your boyfriend"?

not sure what coin you mean.
 
coin: "the right kind of school"
 
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